
Conveying the toughness and loneliness of the city, London-based artist Matt Small films unknowing strangers in the urban landscape, then turns his documentation into oil portraits on salvaged metal and found objects. The result is a detached but intricate portrayal of his subjects, displaying a masterful technique that blurs the line between traditional and abstract. Because his work does not require a staged sitting, it displays none of the self-consciousness of traditional portraiture.